
“Benvenuti nel mio spazio creativo. Dalle collaborazioni con icone come Mina e Celentano, fino a Dylan Dog, il mio proposito è uno solo: dare una forma alle idee, ai sogni e alle emozioni”
THE RITUAL
A Weird Tale by Andrea Girolamo Gallo
Margie watched Peter walk into the agency. In just a few days, shooting would begin on the movie that was giving him his first lead role. His dream was coming true. Peter was beaming, and Margie looked happy for him.
For a near-rookie, Peter had beaten out all the competition—not just the other clients at his own agency, “Morning Star Show Business,” but the hundreds of hopefuls sent by dozens of rival agencies. Then again, everyone was desperate to be in the new Roger Bergspiel film.
Margie, the agency’s do-it-all secretary and resident veteran, had been there for over thirty years. She’d gotten hired when she was barely eighteen by convincing the Big Boss, Mr. Baltimore, himself. In thirty years, she had seen it all. Now, she was watching the rise of a new star: Peter Black.
Peter adjusted his hair and smiled at Margie. It was one of those smiles that took your breath away.
“Could you step over here for a second?” Margie asked, her face turning red.
“Sure.” Peter stopped in front of Margie’s desk. Her eyes kept darting around the room, left and right, completely ignoring Peter as he waited for her to speak.
“Well?” Peter asked, annoyed by her behavior.
“I need to tell you something important…” Margie said, her voice barely a whisper, finally breaking the tension.
“Tell me, then. I don’t have all day.”
“Not here. Let’s go grab a coffee downstairs,” she said, with a boldness that surprised even herself.
Peter nodded, his face showing zero enthusiasm. “Make it quick, Margie. A fast one.”
They walked down the stairs in total silence. Once outside, the coffee shop was only a few dozen yards away.
“Damn it!” Peter snapped. He almost sprained an ankle on an uneven patch of sidewalk.
“Are you okay?” Margie asked, grabbing his arm. She was a petite, delicate woman.
Peter grimaced but kept walking, albeit with a slight limp.
They slipped inside the coffee shop. Margie took charge, picking a secluded booth all the way in the back.
“Margie, if I didn’t know you, I’d think you were getting some weird ideas into your head,” Peter said, his tone cocky and obnoxious. He regretted it instantly, forcing a stupid, apologetic grin onto his face.
“Peter, you’re in danger,” Margie said, cutting straight through the awkward silence.
Peter laughed. “I’m not joking,” Margie shot back.
“It’s organized crime, right?” Peter smirked.
“No. I’m talking about Paul and his little girlfriend, Patricia,” Margie said, referring to two other actors at the agency.
“Spell it out for me.”
“They’re going to try to take you out. They’ve already started.” Margie’s eyes began darting around the room again.
Peter watched her, speechless. He had never seen her nervous before.
“They put a curse on you. Paul wanted your role. You have to be careful. If you can, you need to do a counter-ritual to break it,” Margie added.
“What the hell are you talking about? I don’t believe in that crap, and I never would’ve guessed you did. I always thought you were rational and smart,” Peter snapped. Convinced he was wasting his time, he stood up.
“Wait, Peter… think about it,” Margie said, sliding a slip of paper toward him.
“And what’s this supposed to be?”
“The address to my place in the country. In case you need it. I’ll be there, I took a few days off.”
Peter shoved the paper into his pocket and walked out of the coffee shop, his face dark. Margie followed him at a distance.
At the first intersection, a car ran a red light, nearly plowing right into Peter. Margie witnessed the whole thing and ran to him. He was still shaking. Across the street, Paul and Patricia were standing there. They looked right at them, waving with idiot smiles plastered on their faces.
“Well, look who’s across the street,” Margie said, dripping with all the sarcasm she could muster.
In that exact moment, the thought crossed Peter’s mind that Margie might actually be right. But he rejected it instantly. It was too insane. He said a rushed goodbye to Margie, completely ignored Paul and Patricia, and went straight home.
When he opened his front door, a nasty surprise was waiting for him: a massive, motionless spider on the floor. It looked exotic, maybe a tarantula. Girding his loins, he trapped it under a beer stein.
“How the hell did this monster get into my house? With the money from this movie, I’m buying a proper apartment,” he muttered to himself. He stripped down, throwing his clothes onto the couch and chairs.
Walking around the house in his underwear, he paced slowly from the entryway, through the living room, and into the kitchen. He opened the fridge and poured himself a glass of white wine. He sipped it slowly, savoring it.
Then, an image flashed in his mind. Something he had just looked at but hadn’t truly processed. He poured more wine, chugged the glass down in a hurry, and ran back to the living room. His beloved aquarium had become a graveyard. Dozens of fish were floating lifelessly at the surface.
“What the fuck happened? I just fed them this morning,” he said bitterly. He was devastated; he’d been attached to those little guys. He went back to the kitchen and drank the rest of the bottle straight. His phone rang.
“Hey man, how’s it going?” Paul’s voice boomed.
“Why do you ask?”
“Back on the street… Patricia and I wanted to congratulate you, but you just ran off!”
“I had an errand to run,” Peter replied in a low voice.
“Patricia and I are in the neighborhood, we wanted to drop by. Can we? So we can congratulate you in person.”
Peter swallowed hard, a lump forming in his throat.
“I promised Margie I’d go visit her. Sorry,” Peter said coldly, hanging up immediately before Paul could talk back.
He paced back and forth in the kitchen, then headed to the bedroom to find some clean clothes.
“Margie’s right… unbelievable… those bastards actually cursed me,” Peter muttered as he threw on a shirt and pants. He pulled the slip of paper from his jacket pocket and read the address. “Alright. If I drive fast, I can be at Margie’s in forty-five minutes.” He left the house and headed to the garage.
During the entire drive, Peter’s phone wouldn’t stop ringing. Paul and Patricia took turns calling him. Then, he heard the notification pings. The two assholes had left him voice notes.
Peter reached Margie’s place. A beautiful little house in the countryside. It looked deserted; the lights were all off. He knocked on the door, and it swung open.
The moment he stepped inside, every lock clicked shut.
He shouted Margie’s name at the top of his lungs. No answer. Peter finally decided to play Paul’s voice note.
“Peter, please pick up! Patricia and I are worried… There are things about Margie you don’t know. John, the actor you know, is her son, and she’s a fucking witch. We don’t have hard proof, but we’re certain that Henry… you remember poor Henry? I was saying, about Henry… he fell victim to one of her spells. And you want to know why? Because he took the role that was meant for her son, John. Not to mention what happened to Phil. Bottom line, Peter, answer the goddamn phone and do not go to Margie’s!”
But it was already too late.
TALONS
Written by Andrea Girolamo Gallo
Character Descriptions
- Enrico (Dad): In his 40s, round glasses, short hair, casually dressed. He wears the expression of a man constantly at war with the world, utterly overwhelmed by life.
- Loredana (Mom): 35 years old, beautiful but seemingly cold, icy, and detached.
- Chiara: The 13-year-old eldest daughter. She physically resembles her mother, but her personality is obnoxious and spiteful, typical of a teenager.
- Oscar: 9 years old. He has a lost, haunted, and tormented gaze—reminiscent of the boy from The Sixth Sense.
- The Monster-Woman: We never see her face. A threadlike, emaciated figure with long, dark hair. Her most striking and terrifying features are her talons.
Page 1
PANEL 1-2 (Wide Horizontal Panel)
Space reserved for the title and credits. Two massive, dark talons appear to violently tear through the empty spaces between the letters of the title text.
PANEL 3
EXT. HIGHWAY – NIGHT
An overhead, perpendicular bird’s-eye view looking down at the highway. A small, modest family car is being flanked and overshadowed by a massive, sleek black SUV.
CAPTION: After an hour on the road, the Moretti family’s small car was flanked by a massive SUV.
PANEL 4
INT. FAMILY CAR – NIGHT
A sudden cut inside the car. A tight close-up on OSCAR (9). His eyes are wide, glassy with absolute terror.
OSCAR: Dad! That woman… in the big car!
PANEL 5
INT. FAMILY CAR – NIGHT
A view from behind Oscar (over-the-shoulder). He is desperately trying to grab his mother’s attention, frantically tapping on the back of her seat. In the background, LOREDANA (Mom) turns her head toward him, though half of her face remains obscured by the headrest.
OSCAR: Her eyes are red! And she has talons!
PANEL 6
INT. FAMILY CAR – NIGHT
The camera angle shifts, positioned right on the dashboard looking back at the family. ENRICO (Dad) is in the foreground, his face tight with frustration, eyes rigidly locked on the road ahead. Loredana gently places a hand on his shoulder in a calming gesture. In the gap between the two front seats, CHIARA’s face pops forward from the back; she looks thoroughly annoyed and exasperated.
LOREDANA (MOM): Chiara, did you make your brother watch some horror trailer again?!
Page 2
PANEL 1
INT. HIGHWAY SERVICE STATION – NIGHT
The toy and gadget aisle of a bright highway rest stop. The lighting is harsh, fluorescent, and completely aseptic. OSCAR stands entirely still, his eyes wide and staring blankly forward toward the reader. He looks small, completely “lost” amidst the crowded shelves of colorful toys.
CAPTION: An hour later. A stop at the service station.
PANEL 2
INT. HIGHWAY SERVICE STATION – NIGHT
A close-up focusing on a woman standing nearby. She is seen from behind, casually browsing snacks or souvenirs. She has long, pitch-black hair.
PANEL 3
INT. HIGHWAY SERVICE STATION – NIGHT
Back on Oscar. Abruptly, ENRICO (Dad) steps into the frame from the side, firmly grabbing Oscar by the shoulder. The mysterious dark-haired woman is still visible in the background.
ENRICO (DAD): What is wrong with you? You’re pale as a ghost. Go use the restroom!
PANEL 4
INT. HIGHWAY SERVICE STATION – NIGHT
A sharp close-up on Enrico, looking utterly spent and exasperated by his son’s behavior.
ENRICO (DAD): Fine, have it your way, you stubborn kid!
PANEL 5
INT. FAMILY CAR – NIGHT
A sudden cut inside the moving car. Oscar is curled up on the backseat, his eyes wide open in the dark, unable to sleep.
PANEL 6
INT. FAMILY CAR – NIGHT
A tight close-up on Oscar. His face shows sheer exhaustion, but his expression is now mixed with the clear, painful urgency of needing to relieve himself.
OSCAR: Dad… I really have to go!
Page 3
PANEL 1
INT. FAMILY CAR – NIGHT
A frontal view of Enrico and Loredana bickering. Loredana has a stern, lecturing expression on her face; Enrico looks intensely annoyed, gripping the steering wheel.
LOREDANA (MOM): We can’t stop here.
ENRICO (DAD): Loredana, don’t you start too!
PANEL 2
EXT. DIRT LAYBY – NIGHT
The small car has pulled over into an isolated, unmarked dirt layby off the side of the highway. The car’s headlights are the only source of illumination in the pitch-black night, casting long, distorted, eerie shadows into the surrounding emptiness.
PANEL 3-4 (Double Vertical Panel)
EXT. DIRT LAYBY – NIGHT
Oscar has stepped out of the car. He looks tiny, completely swallowed by the oppressive darkness surrounding the vehicle.
ENRICO (DAD) (V.O.): Make it quick! And don’t wander off!
PANEL 5-6 (Double Vertical Panel)
EXT. CORNFIELD – NIGHT
The camera angle drops to ground level, focusing tightly on the edge of an adjacent cornfield. The darkness here is almost absolute, but a faint glint of light catches something moving in the shadows.
SFX: Sshhh…
Page 4
PANEL 1
EXT. CORNFIELD – NIGHT
A close-up of Oscar’s face, enveloped in deep shadows. He is finally relieving himself near the edge of the tall stalks. For a brief second, his face shows a moment of pure relief.
OSCAR (THOUGHT): Okay, quick. And then right back to the car!
PANEL 2
EXT. CORNFIELD – NIGHT
Oscar’s eyes snap wide open, frozen in pure terror. He has just heard a sharp noise directly in front of him, coming from the darkness of the crops.
SFX: FRUSSSHH!
PANEL 3-4 (Double Horizontal Panel)
EXT. CORNFIELD – NIGHT
Breaking through the sharp stalks of corn, two gaunt, emaciated hands burst forward, tipped with massive, wicked black talons.
PANEL 5-8 (Quadruple Splash Panel)
EXT. CORNFIELD – NIGHT
A massive, terrifying final image. In the foreground, Oscar stares directly out at the reader, his face twisted in agonizing pain and sheer terror, as if begging for help. One of his hands is desperately thrust forward, clawing at the empty air. Right behind him, the long, black talons have violently clamped onto him, dragging him backward. In the semi-darkness of the background, the silent cornfield swallows the scene.
16 Marzo
“IL NOTIZIARIO” è da oggi in vendita su Amazon.

24 Gennaio
Clepto-manie è l’album di debutto del gruppo Sugarfree pubblicato nel 2005, l’anno successivo all’enorme successo del singolo Cleptomania.
Dopo 20 anni viene ristampato per la prima volta in vinile colore azzurro, con la copertina autografata da tutti i membri della band.
https://shop.warnermusic.it/products/clepto-manie-vinile-azzurro-autografato

17 Dicembre
“All’infinito voglio te” cantata da Francesco Serra e scritta da Francesco Serra, Alfio Santonocito e Andrea Girolamo Gallo è su HIT MANIA DANCE 2026, compilation da oggi in vendita in tutti i negozi e le edicole.

5 Dicembre
Andrea Girolamo Gallo firma il nuovo brano di Dario Gay “L’effetto” ( Dario Gay, Andrea Girolamo Gallo, Marco Guarnerio)
25 Novembre
Dylan Dog in quattro storie inedite e complete, quattro nuove voci dell’Enciclopedia della Paura. I come Incubo per “Il sogno dell’Altro”, N come Ninna Nanna per “La casa della ninna nanna”, R come Rock per “La musica del diavolo”e V come Vampiro per “Fame rossa”. E, in più, la paurosissima Classifica 666 dei libri, dischi, videogiochi, fumetti, serie TV e film 2025! (I)ncubo Testi di Marco Nucci disegni di Sergio Gerasi (N)inna Nanna Testi di Alessandro Russo disegni di Luca Casalanguida (R)ock Testi di Andrea Girolamo Gallo e Andrea Cavaletto disegni Antonio Marinetti (V)ampiro Testi di Barbara Baraldi, Rita Porretto & Silvia Mericone disegni di Andrea Mutti

2 Novembre
Panel su Dylan Dog a Lucca Comics con Michele Masiero, Barbara Baraldi e Franco Busatta. Tra le anticipazioni, svelata la cover di Paolo Martinello della nuovissima Enciclopedia della Paura di Dicembre che vedrà anche una storia dell’Indagatore dell’Incubo su soggetto di Andrea Girolamo Gallo “La musica del diavolo”, sceneggiata da Andrea Cavaletto per i disegni di Antonio Marinetti.
1-4 Maggio COMICON 2025
E’ stato un Comicon 2025 fantastico!
Per Andrea il primo da autore. I ringraziamenti vanno ad Andrea Pinto e Authors of Pinto per questa possibilità.
Andrea ha avuto modo di presentare THE ISLAND disegnato da Anna Rita Rimini, ON THE TRAIN disegnato da Isabella Cacciabaudo e di dare il contributo artistico con una storia breve e grottesca intitolata IL CONDOMINIO disegnata da Lorenzo Nicoletta in arte MALACARNE, all’interno del volume antologico 90 WAYS TO DIE pubblicato da ARTSTEADY.

24 Gennaio
C‘è anche Andrea Girolamo Gallo nell’anteprima Dylan Dog 2025! Grazie di cuore a Barbara Baraldi.

https://www.sergiobonelli.it/dylan-dog/2025/01/23/gallery/l-anno-di-dylan-dog-1025639/#1
21 Gennaio Oggi esce RIVELAZIONE!

Novembre 2024
“La grotta di Lamia” è la breve storia horror a fumetti scritta da Andrea Girolamo Gallo che potete trovare all’interno del volume INKSTORY 5 pubblicato da MENHIR EDIZIONI.



https://www.comicsbox.it/serie/INKSTORY